Hockey “Unlike Hurt, he wasn’t a happy person, and when he drank he would become vicious.”. The Yazoo label released a CD of his 1931 classics, Complete Early Recordings; distributor Shanachie reports that it’s already sold several thousand copies. Books For example, "I'm So Glad" was derived from a 1927 song, "So Tired", by Art Sizemore and George A. District Line Daily: Our news, politics, arts, food, and sports coverage in one email every weekday. Among the abandoned belongings stood the piano. Never a full-time musician, he found other ways to survive: as a laborer, dynamite blaster, gambler, pimp, and bootlegger. The 72-year-old Hurt had quit playing music years ago and didn’t even own a guitar; he spent his days tending cattle on his landlord’s farm. His legendary 1931 recordings were some of the rarest of all the classic blues 78s, and their sublime artistry made them priceless. A small but brawny man, he didn’t back down from confrontations; guns (like the Colt revolver he often carried) figured as prominently in his life as guitars. Hard Time Killing Floor Blues by Skip James Chords Different Versions Chords, Tab, Tabs. “He didn’t suffer fools or take no kind of shit.”, James stood in stark contrast to Hurt, Washington’s—and the nation’s—most famous rediscovered bluesman. Hard Time Killing Floor Blues Tab by Skip James with free online tab player. Like rabid jazz collectors before them, some of the younger blues converts road-tripped throughout the South, canvassing black neighborhoods for old 78s. Original recordings and reissues are listed below. Little, recorded in 1928 by Gene Austin and by Lonnie Johnson (Johnson's version was entitled "I'm So Tired of Livin' All Alone"). Hoskins was ready to go; his American University classes would be there when he returned. If a mere party picker like John Hurt could find fortune in the big city, how could a genius like Skip James be denied his proper deserts? Will you join them? Born in 1902, James was raised on a plantation on the edge of the Mississippi Delta, near a town called Bentonia. One night at the Ontario, he caused a scene when he saw her dancing with one of the beatniks, Ed Denson. BY CHRIS THOMAS KING GUITAR TUNING Dm (LOW TO HIGH) D A D F A D Dm7 Am F Dm F/C Dm 1. When he was 5, his father—a musician and bootlegger—fled town after agents raided his whiskey still. Strangely, Fahey’s own career would echo James’. But the wanna-be guitarist hungered for more than the record: He wanted to see Hurt play. Intrigued by a macabre title—Hard Time Killing Floor Blues—he asked the shop’s owner to play a nearly pristine 78 with a Paramount label. In Washington, though, James acquired plenty of friends, and strangers called him a genius. James stared out the car window. The Ontario audience was unprepared for James’ spectral presence, for his falsetto wailing and intricate, jazzlike instrumental breaks. He didn’t tell feel-good stories between feel-good songs; instead, James performed without patter, distilling his life’s miseries into his music. During jam sessions, James spiked his playing with complicated riffs and chord changes in an attempt to sabotage Hurt, who dutifully tried to keep up. [1] In a 1994 biography of James, I'd Rather Be the Devil: Skip James and the Blues, Stephen Calt maintained that no style of blues originated in Bentonia and that the "Bentonia School" is simply a notion of later blues writers who overestimated the provinciality of Mississippi during the early 20th century, when railways linked small towns. After all, he’d won his train trip to blues glory in Wisconsin by beating out other musicians at an audition. The Sleigher: The Marías, “We’re The Lucky Ones”, City Lights: Watch Black-and-White Thriller, Wilson High School’s Student Newspaper Endorses Edna B. Jackson for School’s New Name, Phil Mendelson on Not Extending Utility Shutoff Protections, The Hospitality Industry Was There for Furloughed Feds During Government Shutdowns, Proudly powered by Newspack by Automattic. ), Where racial matters were concerned, James was too misanthropic to choose sides. “Avalon’s my hometown, always on my mind,” sang Hurt. Now he had a second chance at the acclaim that had eluded him. “Hard Time Killing Floor Blues” speaks so much to me in it’s simplicity and emotion. That obstacle seemed to melt away: “I ran into this girl, and she had a brand-new little Dodge Slant 6, and she really wanted to go to Mardi Gras. Our awesome collection of At one point, he even joined his long-lost father, who’d become a Baptist minister. Loose Lips One, struck by the “lovely contrapuntal lines and eccentric phrasing,” went so far as to claim that James’ melodies were “more like Elizabethan music than the blues.”. Fahey had grown up in Takoma Park; after Spottswood played him a Blind Willie Johnson 78, he was converted to country blues. Hard Time Killing Floor Blues Band. The slow, mournful dirge hooked Spottswood. Chords Diagrams. His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. [3] On the strength of this audition, James traveled to Grafton, Wisconsin, to record for Paramount. Postal Service, which airbrushed the stamp portrait of Johnson to eradicate the cigarette that hung defiantly from his mouth. “[I] found Mable alone, sitting in a darkened room,” Calt writes. Hoskin’s reference to the nation’s capital clinched it: Mississippi John Hurt believed that the FBI had come to take him away. 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